![]() Sound is very important in horror, and Tom Hobb's work really makes the film in my opinion. I couldn't have made the film without the tireless efforts on my tiny crew, as well as the immeasurable talents of both our composer and sound designer. Having some very talented people willing to work for the love of the project in your corner also helps immensely. ![]() I made the sandwiches and bought the black rope we needed for the effect. We made I Should Have Run on £200, with just four of us on the local railway path at 3AM. I used the process of making the film to explore the deepest recesses of my grief, trying to face up to it as much as I could. I was in rather a deep pit of grief and the poem just flowed out of me. I wrote the voiceover poem for it in the wake of my best friend's suicide. I Should Have Run is a film about the pointlessness of lying to yourself, no matter what may drive you to do so. I am 35 years old and only came to filmmaking in earnest after I turned 30, when I produced a short zombie film from scratch. Gabriela Staniszewska, I Should Have Run director I think we can support DIY filmmakers by sharing tips and advice, and making sure that there are opportunities for collaborators to meet one another and pool resources. No one is going to give you any money until you've proved you can do it, so it can end up being a bit chicken and egg, and DIY is kind of the only option for some people to get started. It's important that we encourage new, original storytellers, and being able to tell your story shouldn't come down to how much money you have. Digital technologies have opened up filmmaking to a much wider range of people from different backgrounds and countries, and this provides audiences with a really rich landscape of stories to choose from. Be flexible and be imaginative.ĭIY cinema is where original voices form. ![]() Basically build the project around the resources you have available. Think about who you know, and what kind of resources you have access to-ask your mates to get involved and utilize their strengths and talents. Find somewhere you can shoot in without huge time or money pressures. ![]() If you're working with a low or no budget, then you don't want to write something set in a castle (unless you have access to one of course) or somewhere that's going to cost you loads of money for hardly any time. When shooting on a budget, find a location that inspires you, and write something to fit that location. Without distributors to help create buzz around the film, and huge advertising budgets, Bogutskaya and Howe have to ask audiences to trust them. "We've had to do absolutely ourselves," say co-founders Anna Bogutskaya and Olivia Howe. The Final Girls are self-distributing We Are The Weirdos in cinemas across the country. It even features a cameo from the master of horror himself, John Carpenter-and one of the films was made on a budget of about $265.Īnd the DIY approach extends to the film's release, as well as its creation. They're going on a UK-wide screening tour with We Are The Weirdos, a showcase of short films from up-and-coming female directors that feature characters like a college student whose skin mysteriously starts peeling off after a one night stand a cyber-stalker punishing married men for using dating apps, and a ghoulish figure who murders late-night revellers in a bar. Read more: A Vegetarian Vet Student Turns Cannibal in Feminist Horror Film 'Raw'įeminist horror collective The Final Girls are fighting to reclaim horror as a genre for women and by women. Now, a new generation of women filmmakers is attempting to subvert the genre by championing a DIY approach to production and distribution. (Beware the girl who has sex on screen, because she'll always get killed off in the opening scenes.) The final girl trope-in which the last character standing in the movie is also its most virginal-requires women to be chaste, pure, and physically attractive. In almost every aspect of production, from directors to camera operators, women are shut out of the film industry.Īnd of all the movie genres, horror has been especially unkind to women. Hollywood sucks at putting women on screen-and it sucks harder when it comes to getting women behind the camera. 19 of the Best Movies With the Worst 'Uncanny Valley' Effects
0 Comments
Leave a Reply. |